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The New Swedish Avant Garde – fashion, Freud and the forbidden identity


Pall mall galleries, London, 2009.

THE SWEDISH AVANT GARDE explores a new development in Swedish design identity – a fashion avant garde. The radical garments simultaneously clothe the body and explode perceived norms in Swedish culture and psyche. Drawing on the work of Sigmund Freud the exhibition proposes that the avant garde render explicit and externalise what Swedish people might repress from their unconscious. Some of the presented themes are Uniformly collective vs. conspicuous narcissist, Realism vs. mysticism, Save and restraint vs. spend and excess, Introvert vs. extrovert, Designed home vs. designed self. By presenting the clothes in the visual context of naive Swedish folk art Kurbits paintings from the 18th and 19th centuries and the experimental 1920s Les Ballets Suedois, it juxtaposes allegory and avant garde. The exhibition contains works by Ann-Sofie Back, Patrik Söderstam, Sandra Backlund, SWD/Skyward, Martin Bergström, Kling by Kling, Johan Åkesson, Åsa Westlund, Nakkna, Cecilia Hummel and Nhu Duong.

Photo – Alexey Sorokin.

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Assistant to Judith Clark


WORKED FOR INDEPENDENT CURATOR AND EXHIBITION DESIGNER JUDITH CLARK ON SEVERAL EXHIBITIONS 2009-PRESSENT INCLUDING

THE ART OF FASHION – INSTALLING ALLUSIONS, Museum Boijmans Van Beuningen, Rotterdam, 2009. Photo Francesco Casarotto

JUDITH CLARK’S CREATION OF SIMONE HANDBAG MUSEUM, London and Seoul, 2010-2012

THE CONCISE DICTIONARY OF DRESS, Victoria & Albert Museum, Commissioned by Artangel, London, 2010

CHLOE ATTITUDES, Palais de Tokyo, Paris, 2012

WASHED UP, Selfridges, London, 2011. Photo Andrew Meredith

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